I didn't know much about Ms. Bourgeois before tonight-only that she was responsible for the enormous spider sculpture in Paris. The first thing you come across in the exhibit is a smaller version of those same spiders, this made me happy (they are personal favorites of mine).
Moving up the spiral from the ground level, there were several spaces full of Louise's sculpture, which was quietly captivating. I say quietly because the beauty and creative genius in her work can be easy overlooked by a hurried eye.
A particularly interesting shape hung suspended from the ceiling of the museum:
Heading further up the spiraling interior of the beautiful Guggenheim, I came across this little beauty.
I chuckled to myself for a moment before reading the accompanying ID card. It was made entirely of latex. Interesting.
It quickly became apparent that Louise was an artist who embraced natural form, human or otherwise. One piece appeared, to me, to be two enormous yams overlapping each other. I loved it! The two forms looked exactly like real yams, the texture and coloring was perfect. They were in fact made of plaster and latex, but I was still fascinated by them.
I wish I could have taken more pictures of the work but security was fairly tight and I was told on multiple occasions, once on each "floor," that photography was not allowed. I eventually just gave in and shouldered my camera.
I guess it would also make sense to inform you that this was my first visit to the Guggenheim. I had driven and walked past it on many occasions, but never gone inside. It is an absolutely fascinating building, one of the most perfect spaces for viewing artwork I have ever experienced. It really was an experience. All at once you feel like you are both viewing artwork and also moving through a work of art, and you are. Frank Lloyd Wright, I take my hat off to you sir.
As we reached the upper levels of the museum, the work began to transform into bigger "installation style" pieces involving enclosed spaces formed by the most incredible doors attached one after another by their hinges. It was by far my favorite part of the exhibit. I didn't take any pictures of them but there are a few on the exhibit page here.
As we reached the upper levels of the museum, the work began to transform into bigger "installation style" pieces involving enclosed spaces formed by the most incredible doors attached one after another by their hinges. It was by far my favorite part of the exhibit. I didn't take any pictures of them but there are a few on the exhibit page here.
Sadly, the exhibit is packin it in this Sunday, Sept. 28, but if you are in the city tomorrow, looking for something to do and have $15 to burn, it's worth checking out.
The was also an exhibit of photography by one Catherine Opie, which just opened today. What struck me the most about the exhibit was the presentation. Prints ranging in size from around 2" x 4" to a larger-than-life size of about 9' x 3' (I'm guessing) full length portraits. Every print had an amazing amount of detail and every portrait was intensely lifelike. It made me want to buy a large format camera even more than I already do.
While I can't really say I'm a huge fan of her portraits, I did enjoy her more photojournalistic environmental work in which she created a very intimate connection with the subject using a camera system that doesn't generally lend itself to that style of shooting.
Her work is definitely not for everyone, but check it out if you want to see prints and framing of the absolute highest quality, along with some unconventional, and sometimes uncomfortable, subject matter.
Coming out of the museum at closing time, we were in for a little surprise. There were enormous words being projected onto the face of the museum! What was this?! Of course I started snapping away like a madman.
It seemed some folks had set up shop across the street and were projecting some sort of nonsense text (according to Julie, I never actually stood there and read it) onto the side of the building. Brilliant!
UPDATE: Since I published this post, I did a little research and discovered the source of the projected words. They are the most recent project of conceptual artist Jenny Holzer, designed to feature the restored white finish of the museum's exterior. Pretty cool.
My personal favorite shot from the night:
What do I love about this photo? Well...- The text on the museum. Both projected and the amazing Guggenheim lettering. It's very graphic and bold and eye catching, I like that.
- The tonality of the B&W conversion. It just feels very vintage. It complements the subject matter nicely I think.
- The umbrella wielding figure in the foreground. Just enough blur to capture the motion without losing the amazing profile of the man as he passed by.
I think that just about sums it up...
I absolutely love shooting in the rain, and at night. Everything changes.
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